Module Details

Module Code: MUSC U7040 X
Full Title: Electronic Music Production
Valid From:: Semester 2 - 2018/19 ( February 2019 )
Language of Instruction:English
Duration: 1 Semester
Credits:: 5
Module Owner:: Niall Coghlan
Departments: Unknown
Module Description: This module offers the student a detailed and comprehensive study, both theoretical and
practical, of the computer based Virtual Studio Environment within the context of Electronic
Music Production.
 
Module Learning Outcome
On successful completion of this module the learner will be able to:
# Module Learning Outcome Description
MLO1 apply a knowledge of how audio terminologies and concepts are embedded in the audio signal routing and bus structure of a virtual sequencer.
MLO2 manipulate the various parameters of software based synthesisers in the generation of creative sound textures.
MLO3 assemble, load, map and tailor audio samples within a virtual studio sequencing environment.
MLO4 construct and program intricate rhythm patterns and loops.
MLO5 produce a completed sequencer based music title using a selection of electronic instruments and tools.
Pre-requisite learning
Module Recommendations
This is prior learning (or a practical skill) that is strongly recommended before enrolment in this module. You may enrol in this module if you have not acquired the recommended learning but you will have considerable difficulty in passing (i.e. achieving the learning outcomes of) the module. While the prior learning is expressed as named DkIT module(s) it also allows for learning (in another module or modules) which is equivalent to the learning specified in the named module(s).
No recommendations listed
 
Module Indicative Content
Audio routing and control voltages in the virtual studio environment.
CV sources and examples, merging and splitting. Series, parallel circuits, signal busses, sub mixers, feedback loops.
Dynamics and Equalisation processes
Compression, Limiting, Sidechains, Filters, Equalisation.
Audio effects.
Delay, Phase shifting, Feedback effects, Vocoders, Carrier and Modulation signals, Reverb, types and classifications, Chorusing, Flanging, Distortion
Creating drum patterns and loops
Pattern Programming, Pitch modulation, Samples, Loop techniques, Groove tools.
Virtual synthesisers
Oscillators, Patch Programming, Sound Deconstruction.
Audio sample management
Sample mapping, Layering Samples, Audio Manipulation
Song production in the virtual studio environment.
Working with multitrack productions, basic arrangement, orchestration and compositional issues.
Module Assessment
Assessment Breakdown%
Course Work100.00%
Module Special Regulation
 

Assessments

Full-time

Course Work
Assessment Type Continuous Assessment % of Total Mark 20
Marks Out Of 100 Pass Mark 40
Timing S1 Week 8 Learning Outcome 2,3
Duration in minutes 0
Assessment Description
Demonstrate ability to create and manipulate custom synthesiser and drum patches for use in electronic music
Assessment Type Project % of Total Mark 80
Marks Out Of 100 Pass Mark 40
Timing S1 Week 13 Learning Outcome 2,3,4,5
Duration in minutes 0
Assessment Description
Create a sequencer based electronic music composition incorporating best practice mixing standards, demonstrating rhythmic and timbral progression and signal processing.
No Project
No Practical
No Final Examination
Reassessment Requirement
No repeat examination
Reassessment of this module will be offered solely on the basis of coursework and a repeat examination will not be offered.

DKIT reserves the right to alter the nature and timings of assessment

 

Module Workload

Workload: Full-time
Workload Type Contact Type Workload Description Frequency Average Weekly Learner Workload Hours
Lecture Contact Delivery of supporting theory content. Every Week 1.00 1
Practical Contact No Description Every Week 1.00 1
Tutorial Contact Formative Feedback and troubleshooting Every Week 1.00 1
Independent Study Non Contact No Description Every Week 5.00 5
Total Weekly Learner Workload 8.00
Total Weekly Contact Hours 3.00
Workload: Part-time
Workload Type Contact Type Workload Description Frequency Average Weekly Learner Workload Hours
Lecture Contact Delivery of supporting theory content. Every Week 1.00 1
Practical Contact No Description Every Week 1.00 1
Tutorial Contact Formative Feedback and troubleshooting Every Week 1.00 1
Independent Study Non Contact No Description Every Week 5.00 5
Total Weekly Learner Workload 8.00
Total Weekly Contact Hours 3.00
 
Module Resources
Recommended Book Resources
  • Kurt Kurasaki. (2010), Power Tools for Reason 4, Music Pro Guides, [ISBN: 1423441850].
  • Prager, M.. (2011), Reason 5 Power! The Comprehensive Guide, Delmar Cengage Learning, p.592, [ISBN: 1435458613].
  • Reynolds, S.. (2013), Energy Flash, Faber & Faber, p.816, [ISBN: 0571289134].
  • Kirn, P.. (2011), Evolution of Electronic Dance Music, 1. Backbeat Books, [ISBN: 1617130192].
This module does not have any article/paper resources
Other Resources