MUSC U7Z05 - Advanced DAW Techniques

Module Details

Module Code: MUSC U7Z05
Full Title: Advanced DAW Techniques
Valid From:: Semester 1 - 2019/20 ( June 2019 )
Language of Instruction:English
Duration: 1 Semester
Credits:: 5
Module Owner:: Sean Keegan
Departments: Unknown
Module Description: This module aims to introduce students to new and emerging techniques in DAW operation and uses.
 
Module Learning Outcome
On successful completion of this module the learner will be able to:
# Module Learning Outcome Description
MLO1 Recognise the various uses of a DAW in Advanced Audio Production
MLO2 Process and manipulate audio using DAW based techniques
MLO3 Integrate content across numerous DAW platforms
MLO4 Evaluate the relative benefits of various DAW platforms
Pre-requisite learning
Module Recommendations
This is prior learning (or a practical skill) that is strongly recommended before enrolment in this module. You may enrol in this module if you have not acquired the recommended learning but you will have considerable difficulty in passing (i.e. achieving the learning outcomes of) the module. While the prior learning is expressed as named DkIT module(s) it also allows for learning (in another module or modules) which is equivalent to the learning specified in the named module(s).
No recommendations listed
 
Module Indicative Content
DAWS
Overview and comparison between various industry standard DAWs. Transferring skills and sessions between DAWs.
Processing
Equalisation, Noise Reduction, Spectral Editing, Time Compression/Expansion, Convolution Reverberation, Impulse Responses, Pitch Correction and Manipulation
Techniques
Batch processing, meta data, DAW synchronisation, file transfer protocols, automation, virtual instruments, MIDI, Drum Replacement
Independent Research
Comparative Evaluation & Assessment, Application Specific analysis,
Module Assessment
Assessment Breakdown%
Course Work100.00%
Module Special Regulation
 

Assessments

Full-time

Course Work
Assessment Type Continuous Assessment % of Total Mark 20
Marks Out Of 0 Pass Mark 0
Timing n/a Learning Outcome 1,4
Duration in minutes 0
Assessment Description
Research the uses and application of popular DAW platforms in Audio and Music Production
Assessment Type Continuous Assessment % of Total Mark 80
Marks Out Of 0 Pass Mark 0
Timing n/a Learning Outcome 2
Duration in minutes 0
Assessment Description
Create a portfolio of audio and/or music production demonstrating the ability to use advanced DAW techniques across multiple platforms
No Project
No Practical
No Final Examination

DKIT reserves the right to alter the nature and timings of assessment

 

Module Workload

Workload: Full-time
Workload Type Contact Type Workload Description Frequency Average Weekly Learner Workload Hours
Tutorial Contact No Description Every Week 1.00 1
Practical Contact No Description Every Week 2.00 2
Directed Reading Non Contact No Description Every Week 2.00 2
Independent Study Non Contact No Description Every Week 3.00 3
Total Weekly Learner Workload 8.00
Total Weekly Contact Hours 3.00
Workload: Part-time
Workload Type Contact Type Workload Description Frequency Average Weekly Learner Workload Hours
Tutorial Contact No Description Every Week 1.00 1
Practical Contact No Description Every Week 2.00 2
Directed Reading Non Contact No Description Every Week 2.00 2
Independent Study Non Contact No Description Every Week 3.00 3
Total Weekly Learner Workload 8.00
Total Weekly Contact Hours 3.00
 
Module Resources
Recommended Book Resources
  • Simon Langford. (2014), Digital Audio Editing: Correcting and Enhancing Audio in Pro Tools, Logic Pro, Cubase, and Studio One, 1st. Focal Press, [ISBN: 978-041582958].
  • Joel Krantz. (2012), Pro Tools 10 Advanced Post Production Techniques (Avid Learning), 1st. Cengage Learning PTR, [ISBN: 978-113378886].
  • Robert Campbell. (2012), Pro Tools 10 Advanced Music Production Techniques (Avid Learning Series), 1st. Cengage Learning PTR, [ISBN: 978-113372800].
  • Eric Morgeson. (2014), Practical Exercises for Pro Tools - Advanced Music Production Workflows, 3rd. Michael Phillips Music, Ltd, [ISBN: 978-098877441].
  • David Dvorin. (2015), Apple Pro Training Series: Logic Pro X Advanced Audio Production: Composing and Producing Professional Audio, 1st. Peachpit Press, [ISBN: 978-013413581].
  • Jon Margulies. (2018), Ableton Live 10 Power!: The Comprehensive Guide, 1st. Hobo Technologies, [ISBN: 978-069206135].
  • Geoffrey Francis. (2010), REAPER Power!: The Comprehensive Guide, 1st. Alfred Music, [ISBN: 978-159863879].
  • Eric Kuehnl, Huch Platt. (2019), Audio Restoration with iZotope RX 7, 1st. Hal Leonard, [ISBN: 978-154002483].
This module does not have any article/paper resources
This module does not have any other resources